FST 398 006: 6X1 VARIATIONS ON THE ONE-MINUTE FILM

a moving picture giving and taking book - Brakhage

Notes Towards a Theory of Animation - Wells

Projections of Sound on Image - Chion

On the Rights of the Molotov Man - Garnett and Meiselas

The Ecstasy of Influence - Lethem

The Empty Space (The Rough Theatre) - Brook

Some supplemental material may also be found on the CLASS BLOG.

 

FST 398 007: MODES OF ANIMATION PRODUCTION

Assignment 1a: Creating GIF Animations

Assignment 1b: Converting GIF to QuickTime

Assignment 2: Rotoscoping

Assignment 2: Rotoscope Dialogue

"Of course, we all know they are guilty"

"I mearly chuckle, but I chuckle so loud"

". . . they descend like something very musical"

"some play Yahtzee . . . "

FINAL CUT PRO: Setting Scratch Disks

FINAL CUT PRO: Working with Sound (and Video)

FST 201

SHOT SIZES

STORYBOARD EXAMPLES: ex.1 ex. 2

LIGHTING AND LENSES

READINGS FOR SHANNON SILVA'S CLASS

In the Blink of an Eye (selections) - Murch

Directing the Interview - Rosenthal

Sound - Kadis

Hearing - Kadis

Microphones - Kadis

Theory of the Film: Sound - Balazs

The Film as an Original Art Form - Richter

Aniti-100 Years of Cinema Manifesto - Mekas

Introduction to "Avante-Garde Film" - MacDonald

Naming, and Defining, Avante Garde . . . - Camper

Shooting Effective B-Roll for Documentaries

Film Festival Lecture

Shot by Shot Chapter 1&2

35mm Still Camera Controls

Sekonic Light Meter Controls

Steps for Incident Light Meter

Bolex Lenses

Controls on the Bolex

How to Load the Bolex

Loading the Bolex

Speaking For, Speaking About . . . - Ruby

The Birth Film - Jane Brakhage